JAMES GARNER: RACER

A few of weeks ago James Garner, her co star in Grand Prix, John Frankenheimer’s flawed motorsport classic from 1966, died peacefully at the impressive age of 86.

Here’s a flavour of the film.

Plaudits were universal on the man’s down-home straight forwardness. We loved his straight ahead, understated macho style. He was a petrol head too, and a self-avowed fan of race cars – driving the pace car at Indianapolis 500 on a number of occasions. He famously commissioned a 4 seater, road-going Indy car too. Here are some pics of that.

Rest In Power Mr Garner!

You rocked that racing suit better than most.

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GROUP 5 HERO: BMW 320 TURBO

Of all the racing formulas that produced stunning race cars, Group 5 is one of our favourites.

And this BMW 320 Turbo is a fave among faves.

The formula, which was in its deregulated niceness, was almost the precursor of Group B rally in that there were super fat versions of the road cars. The regulation required only the bonnet, roof, doors and rail panel were left unmodified. What resulted were spectacular racing cars.

We particularly love this guy’s casual stance. And his beard. if anyone can identify the man, we’d like to send him our sincere congratulations on his pure stylish ease…

Look out for a mini series of group 5 wonders!

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KILLER COBRA: SHELBY AND THE SNAKE

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Words: Charles Bamber
If you had been an American MG owner in the early to mid sixties, you would have been pretty smug and self satisfied with your exotic, excitingly nippy little English runabout.

But imagine the day you first heard about the advert of the 427 Cobra. The English built frame now had 427 cubic inch engine (that’s 7 litres) and Road and Track magazine reckoned it could accelerate from zero to sixty in less than four seconds and from zero to 100MPH and back to zero again in less than 14.

The word humiliation wouldn’t even have nearly covered it.

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Flared arches – the toughest ’65er on the streets

Thing was, that platonic ideal of an MG owner had been punching above its weight on the twisties and rutted orange grove roads of Southern California. The underpowered 356 Porsches were no match for the MG’s handling and the other competitor – the 286 Cobra was regularly outrun. The archaic leaf suspension on the early Cobras, you see, meant that the 300 horses it was able to transmit to the rear tyres were hardly ever translated into manageable power. But with the 427, not only had the small block 286 been replaced by a bloodcurdling, NASCAR-developed engine that produced close to 500HP – it also came with an all-new all-round independent suspension system with anti dive and anti-squat characteristics. Your little English sports car is, in short, instantly outmoded.

NASCAR developed behemoth

In 1965 the violent sort of changes in velocity pioneered by the third iteration of the Cobra would have been hard to come by on the race track. But this was street legal. Things in the world of American sports cars would never be the same again.

But despite its half century old reputation as a killer beast — at low speeds the Cobra 427 could still be a pussycat. Read the road tests of the day and you’ll be surprised to be told that the 11.5 inch Ford clutch was found to be no more challenging than a normal domestic unit. The production 427’s transmission was a standard Ford four-speed synchro box – so it was smooth and relatively easy to handle too.

That vulnerable rear end…

But it was when you buried the throttle and let the snake free that the 427 Cobra earned its reparation as a widow maker. The MK3 Cobra featured the flared arches that first appeared on the earlier racing versions of the 289. It also came with a genius aesthetic touch in the form of those black painted knock­-off magnesium wheels from Halibrand. The 427 would notoriously break traction in the up-shift and even in fourth gear lead foots over 100 MPH. That power-to-weight ratio was so astronomic, slewing of the rear end under heavy throttle was standard. You needed phat rims and serious rubber to take the battering. So though even a learner driver could have toddled round in the beast safely enough, you wouldn’t have let your 17 year old push it over 2000 revs.

Five point harnesses might be more desirable

The imperatives of success at the 24 Hours of Le Mans can be blamed for the factory Cobra’s premature demise. By 1966 the Ford establishment had been determined to challenge Ferrari’s dominance in endurance racing – and they famously set Carroll Shelby and his team the challenge to produce an endurance racer that could become that Ferrari slayer. Even with its beautiful power and a stretched drive ratio, the format of the Cobra meant that it would only be good for around 170 MPH – and success at La Sarthe meant the ability to crack 200. Enter, of course the GT40.

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Long, low -427 logo proud

But it’s the simple, purposeful format of the Cobra that accounts for its enduring appeal. Look at it. It’s squat, to the point. Front and rear over hangs are short, and the roadster setup and the long accommodating bonnet meant that the driving experience is classic as well as adrenalin-inducing. It’s low slung and rather wide, too – and it’s no surprise that the only things that come close to the sort of power induced rattle and hum experienced by the man in the cockpit are the more brutally appointed TVRs.

The straightforward format of the Cobra – and the fact that only a couple of hundred original 427s were ever built – mean that throughout the subsequent decades a large cottage industry has developed in producing continuation cars, replicas and assimilations of the car’s stripped down simplicity.

Original versions of these cars are now regularly fetching 7 figures at auction. Incredible when you consider the rather crude componentry of which they are composed. Never mind.

There’s always that Outlaw MGB.

Five point harnesses might be more desirable

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Long, low -427 logo proud

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NASCAR developed behemoth

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Flared arches – the toughest ’65er on the streets

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That vulnerable rear end…

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Brit-American collab in extremis…

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WALTER ROHL AND THE BALLET OF THE QUATTRO.

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Not sure whether or not we’ve posted this before or whether you’ve seen it: but this edit is one of our favourite clips of all time.

We love the teutonic coolness of the navigator’s voice (though it obviously wasn’t recorded in-car). We love the simple cutaways to Walter’s blue suede shoes, the steering wheel and the page turning navigator book (though they probably weren’t shot at speed).

But mostly we love the point of view madness that illustrates the divine lunacy of Group B rally – and which ultimately resulted in the formula’s early demise.

D-TYPE: BENEATH THE SKIN

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Why is the D-Type such a beguiling beauty? Well, it remains as in all things aesthetic a matter of opinion, but in the case of the this particular machine there are some concrete factors that help explain its enduring charisma.

The D-Type looked, in 1954, unlike anything else out there on the race track, let alone the road. Its aerodynamic features were all about function, but this focus on winning unwittingly created something spectacularly pleasing to the eye.

The introduction of aviation technology that facilitated the speed and reliability of the cars was a slowly blossoming flower that came to represent a patiently awaited premium for Britain.

When they saw C and D-types swathed in green (and occasionally blue) so successful on the circuits of Europe, Brits started to realise that they really had something to be proud of – that the struggles of the previous decades just might have been worth it.

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This was in the years immediately after the Festival of Britain, the Coronation of Queen Elizabeth and the conquering of Everest by that colonial hero Hilary.

Rationing of basic foodstuffs might have remained a part of people’s every day lives, but the cutting edge of British engineering demonstrated that these strictures could be transcended.

As Norman Dewis told us a couple of years ago, when the Jaguar team set off from Browns Lane en route to Europe the streets would be lined with flag-waving patriots. It’s a far cry from the international corporatism of today’s motorsport.

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Jaguar’s spectacularly named race manager Lofty England led the team that produced the Jaguar D-Type. The car was produced to extend and deepen the success of the C-Type – and it immediately performed well. In its first appearance at Le Mans in 1954, the Jaguar team’s cars suffered, apparently, from sand in their fuel. Once this problem had been rectified, however, this car (No 14, driven by Duncan Hamilton and Tony Rolt) immediately reestablished itself. Eventually it finished less than one lap down on the winning Ferrari.

This D Type was the first first works car to be completed, on the 4th of May 1954. As well as its debut second place at Le Mans, it came second also at the Reims 12 Hours and raced at various Grand Prix and Trophy events in the UK. Interestingly, in 1956 it was converted to a road going version of the car, a sort of almost-XKSS, with a screen frame created and the central member between cockpits removed.

It has been claimed that these innovations originally inspired the factory to go ahead and produce the limited run of the road-going XKSS, though this was denied by the crew at Browns Lane. Either way, the car was used on the road for many years and was sold to its current owner in 2000.

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The Monocoque chassis of the D-Type was developed using battle-garnered aviation expertise. Sheets of aluminium alloy formed the central tub which carried the cockpit – and an aluminium subframe was attached to this that carried the engine in its compartment as well as the front running gear and the steering mechanicals. Drive train and rear suspension was attached directly to the tub – and fuel was carried inside ‘bags’ mounted in compartments in the monocoque itself.

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Malcolm Sayer, who, along with development engineer Norman Dewis had worked in the aviation industry in the forties, designed the D-Type’s beautifully sculpted coachwork. With the removal of the traditional separate chassis that had featured in the C-Type, a greatly reduced frontal area was made possible. The engine was angled over slightly (notice the off-centre bonnet bulge) and engineers developed a dry-sump form of lubrication so that the whole issue could be lowered. A low-drag underbody combined with the stabilizing fin behind the driver made high speeds at Le Mans just about manageable. After 1955 a long-nose version of the body was introduced which resulted in even greater top-end velocity.

That the D-Type’s aerodynamic properties and road presence would go on to inform that of the E-Type, which in turn went on to define glamorous yet accessible motoring in the sixties is testament to the power of these cars.

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