JAGUAR XJR-15

The Jaguar XJR-15 was the world’s first fully carbon-fibre road car.

Conceived by Jaguar’s sporting division in collaboration with Tom Walkinshaw Racing, the production of the car was seen as a way to get a fully specced endurance racer into the hungry market for very wealthy revheads. Only 53 were made between 1990 and 1992, each selling for close to a million US dollars.

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True exotica

Mechanically they were close to the Le Mans-winning Jaguar XJR-9, with a 450 HP V12 engine, and the bodies were styled by Peter Stevens – who later went on create the brutalist lines of the McLaren F1.
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The Jaguar XJR-15 is one of those supercars destined for climate-conditioned hangers, out of the prying eyes of the great unwashed and the tax man – but thanks to the web we can enjoy its uncompromising purposefulness from a distance.

We wonder how much they would go for now.

The mind bogles
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[Via influx magazine]

AUDI R8R LMP PROTOTYPE

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If you’re the sort of person for whom the very words Le Mans makes you break out in a fantastic motorsport inspired sweat, then you’ll probably enjoy these images of a very special car.
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It’s basically the 1998 design study upon which Audi’s unbelievably successful aspirations of success in the 24hrs was based.

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Like all prototypes, it does, unfortunately, look even more beautiful and purely rendered than the cars that actually came to dominate in the first years of this century – but we think you’ll agree this ‘prototype of a prototype’ is worth savouring for its rakish lines alone.

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This beauty also teases out the very real relationship between endurance racing success and that of Audi’s road cars – not just in the R8 supercars that are becoming almost as ubiquitous as 911s in certain postcodes – but in the more accessible everyman vehicles that rakishly ply our British byways.

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Further justification, if it were needed, of the importance of a racing programme within an illustrious motor works…

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Classic Formula 1 Engines & sounds

Several examples of Toyota, Honda, Renault, BMW, Ferrari and Cosworth engines.

Watch this amazing compilation of F1 engines on dyno shooting flames:

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YOSHIMURA SUZUKI KATANA

Katana: yes, it means blade.

The sort of blade a Samurai warrior uses.
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Could there be a better name for a weapon of such brute delicacy? We don’t think so.

There’s a zennish conundrum at the heart of the Suzuki Katana – especially this one, which was raced in the AMA champs by legendary racer David Aldana, for equally legendary Superbike pioneer ‘Pops’ Yoshimura.

The styling is a little awkward – especially on the stock version of the bike (below) – but there’s something off kilter, yet elegant about it too.

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The awkwardness probably comes from the design being outsourced to Target Design – a German agency that was commissioned to revamp Suzuki’s aesthetic at the end of the 1970s. At the time there were the predictable purist sneers.

The Katana always felt a little left field – but now, with minds opening up the world over to fusions of all colour and creed –

– it is looking better than ever.

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DEL PORTO ROADSTER

BARE WHEELED BEAUTY
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images Chris Sutton

Coming from a place where bare wheeled cars can still be driven on the road without fear of prosecution, we’re currently in love with the Del Porto Roadster.

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This slick, black beauty was originally designed in 1951 as a racer on the Salt Lakes. In fact it apparently set a record there of 155MPH – and at the drag strip was clocked crossing the top end at a terminal velocity of 118 MPH. It was a star on the rod scene back then, made magazine covers and scored props at top shows too.

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In 2010, having been wrecked in 1953 and sitting in storage for over 50 years, it went through a 3000 hour restoration at Classic Craft Motorsports in Springfield, Ohio.

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The car is powered by a 265 cubic inch Flathead V-8 Engine with four Stromberg carbs and there’s a competition 3-speed gearbox that deals with about 220 BHP.

The thing we’re loving the most is the attention to detail about the resto. You can feel the clunk of metal and the smell of leather from these very beautifully rendered images from photographer Chris Sutton.

There’s a real sense of drama and passion encoded in these sorts of machines. They come from a time when mechanical ingenuity was a passionate obsession – an enthusiasm that bled out and infected the world through the aesthetic of rock’n’roll. You won’t find one as clean and beautiful as this anywhere.

Loving it.

[via influx magazine]

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Vintage Motorcycles aka Café Racer

The term café racer developed among British motorcycle enthusiasts of the early 1960s, specifically the Rocker (or ton-up boy) subculture. The term describes a style of motorcycle for quick rides from one “transport café”or coffee bar to another. Cafe Racers were also common in Italy, France and other European countries.

In 1973, US freelance writer Wallace Wyss, contributing to Popular Mechanics magazine, asserted the term café racer was originally used in Europe as a “put-down” toward riders who pretended to be road racers but instead only parked outside cafés.

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The café racer is a light and lightly powered motorcycle that has been modified for speed and handling rather than comfort. The bodywork and control layout of a café racer typically mimicked the style of a contemporary Grand Prix roadracer, featuring an elongated fuel tank, often with dents to allow the rider’s knees to grip the tank, low slung racing handlebars, and a single-person, elongated, humped seat.

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A signature trait was the use of low, narrow handlebars that allowed the rider to “tuck in” — a posture with reduced wind resistance and better control. These handlebars, known as “clip-ons” (two-piece bars that bolt directly to each fork tube), “clubmans” or “ace bars” (one piece bars that attach to the standard mounting location but drop down and forward). The ergonomics resulting from low bars and the rearward seat often required “rearsets”, or rear-set footrests and foot controls, again typical of racing motorcycles of the era. Distinctive half or full race-style fairings were sometimes mounted to the forks or frame.

The bikes had a utilitarian, stripped-down appearance, engines tuned for maximum speed and lean, light road handling. The well-known example was “The Triton”, a homemade combination of Norton Featherbed frame and Triumph Bonneville engine. It used a common and fast racing engine combined with a well-handling frame, the Featherbed frame by Norton Motorcycles. Those with less money could opt for a “Tribsa”—the Triumph engine in a BSA frame. Other combinations such as the “Norvin” (a Vincent V-Twin engine in a Featherbed frame) and racing frames by Rickman or Seeley were also adopted for road use.

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Café racer styling evolved throughout the time of their popularity. By the mid-1970s, Japanese bikes had overtaken British bikes in the marketplace, and the look of real Grand Prix racing bikes had changed. The hand-made, frequently unpainted aluminium racing fuel tanks of the 1960s had evolved into square, narrow, fibreglass tanks. Increasingly, three-cylinder Kawasaki two-strokes, four-cylinder four-stroke Kawasaki Z1, and four-cylinder Hondas were the basis for café racer conversions. By 1977, a number of manufacturers had taken notice of the café racer boom and were producing factory café racers, most notably the Harley-Davidson XLCR.

In the mid-1970s, riders continued to modify standard production motorcycles into so-called “café racers” by simply equipping them with clubman bars and a small fairing around the headlight. A number of European manufacturers, including Benelli, BMW, Bultaco and Derbi produced factory “café” variants of their standard motorcycles in this manner, without any modifications made to make them faster or more powerful.

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